There was something that felt a little grittier about a martial arts kick to the head, like something the bigger kids should be watching. We were truly spoilt for big, fun sci-fi movies back in the 90s, and it's a great shame that so few seem to cross the box office anymore, which is reason enough to be grateful that Lockout was made. The other benefit to casting fighters is that the range of styles demonstrated help to keep the action scenes interesting, even though you have no idea who you're actually watching apart from Paco, he rules. It delivers power ballads courtesy of the great Stan Bush yet again, has revenge, flashbacks, seeing an enemy reflected in a window behind only for him to disappear on turning round, a gratuitous chase and, of course, a training montage. It was a real thrill to see him back on the big screen again, and there was a real sense of dedication to the role, as he makes the most of every line and every action, savouring the moment that would see audiences cheer his first appearance in the film. L had on my affinity for Van Damme, without contextualising. I can't remember a thing and even Charlton Heston isn't ringing any bells. His wife is terrible. Streetfighter - I can't help but love the movie, despite the consistent wonkiness of every aspect of production - the ever changing blond hair dye, the lack of any real visual effects Ryu's fireball being more of a spark , Blanka and Kylie.
Double Team - JCVD teams up with former professional basketball player, Dennis Rodman, in a gloriously bonkers slice of sci-fi hokum, notable for an appearance by Mickey Rourke during his wilderness years, and a tiger. Bloodsport "If I can grab it before you close your hand, I get the girl. Last year, while waiting on a rain-soaked red carpet for The Expendables 2, I enthused about his work with friend and editor of ScreenGeek, Sam Faulkner, who had a particular soft spot for Double Impact and contributed the following: I've yet to see the latest entry, but apparently it's stomach churningly vicious. It's just about passable when really drunk, but may cause sobriety. His wife is terrible. For me, Timecop is a success, as it throws caution to the wind and indulges in multiple genres all at once. It would also showcase a versatility to JCVD's heroic portrayal of real life martial artist, Frank Dux allegations have since been made against Dux's background, and claims that the Kumite even existed, though it resulted in Bloodsport being made, so I'm happy , who is beaten, tortured and even blinded throughout the course of the film, bringing an early sense of charm and likeability to a role that could so easily have been filled with arrogance. I should probably state for the record again that real life violence holds absolutely no appeal for me, but I was raised in the 80s, when explosive gore was the cinematic equivalent of fireworks in action movies, and a harmless, yet gross way of being entertained. Absent Without Leave - aka Lionheart "Wrong bet! Jean Claude does burned-out junkie scarily well though, which is a little heart breaking. Then Terminator 2 secured him the biggest pay cheque of his career, for making a less bloody sequel. Van Damme shines as a lethal innocent, a side to his acting that really helped to set him apart from the ever invulnerable likes of Seagal and Schwarzenegger. The Expendables 2 "I like… symbol. There was something that felt a little grittier about a martial arts kick to the head, like something the bigger kids should be watching. Even now, each time I watch the end fight between Dux and Chong Li played to terrifying perfection by the great, pec bouncing Bolo Yeung at the point where the blind flashback scene happens, I get goosebumps - it's like an involuntary reaction to awesome blind ninja skills, but credit is also due to Paul Hertzog's cracking score. I know I'm not alone - just look at the outrage caused by Chuck Norris when it looked like The Expendables 2 was going to be toned down - it's cathartic to have violent, adult entertainment with a sense of fun, and that's exactly what Universal Soldier is. There's a genuinely sweet sense of naivety to Luc Deveraux, marked with the existential tragedy of being a man out of his own time, which makes his plight even more compelling, especially knowing that he was killed for trying to do the right thing. And who could deny the appeal of that? Kickboxer also takes the action movie training montage to new heights by filling an entire third with fight training, which is like sheer crack to someone like me. The Return - There had already been an unofficial sequel to Universal Soldier, so when Van Damme agreed to come back to the franchise for an official one, my hopes were high - they were not met. Streetfighter - I can't help but love the movie, despite the consistent wonkiness of every aspect of production - the ever changing blond hair dye, the lack of any real visual effects Ryu's fireball being more of a spark , Blanka and Kylie. That same scene also features one of JCVD's most epic and renowned blood curdling screams, though if I remember correctly from timing them as a teenager, Kickboxer wins for longevity. The Quest - Good fun and Jonkers' directorial debut, yet despite trying to emulate the best parts of Bloodsport, and with Roger Moore and the mighty James Remar in the cast, never quite manages the same level of excitement. Black Eagle - More early villainy by the man, but not much in the way of screen time sadly. Nowhere To Run - A rare cinematic release that proved a little too mainstream for me, with its relatively brief action scenes and emphasis on drama. Oh yes indeed, in my shallow youthfulness I judged a leading man's status by a haircut, apparently, and in that respect A.
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