Mercury, credited with writing the song, was a Parsi Zoroastrian. Queen was released on July 13th in the UK and attained Gold sales status. The track features a two-chord rhythm section during the verses with a long instrumental break toward the end of the song. A new studio version of "The Night Comes Down" was recorded, but in the end, it was decided that the De Lane Lea version was still superior, and this was the version which appears on the debut album. The full version of the song was completed by Mercury on the next album, Queen II. Unlike other songs from Queen's early period which crept back into circulation in the live set of their tours, such as "Liar", "Keep Yourself Alive", "Seven Seas of Rhye" and "In the Lap of the Gods This version was eventually released on the Queen album At The Beeb , and sounds similar to the album version. In , Trident Studios signed Queen to a recording contract which limited them to only down-time studio access when paying artists were not recording and they began working with Roy Thomas Baker.
Singles from this album: A new studio version of "The Night Comes Down" was recorded, but in the end, it was decided that the De Lane Lea version was still superior, and this was the version which appears on the debut album. The first dates from December and was broadcast on John Peel 's show. This version was eventually released on the Queen album At The Beeb , and sounds similar to the album version. The demo is roughly the same mix that appeared on the album except that there is a distinct difference in the drum sound. It was a regular feature in Queen's live set until well into , the song originally housed his famous guitar solo. The unused Roy Thomas Baker-produced version remains unreleased and has not surfaced even on bootlegs. The song is indicative of their very earliest sound, influenced by blues rock and heavy metal. The album version of the song does not feature the guitar solo. There is also what could be an ambiguous reference to " Lucy in the Sky with Diamonds ", in the lyric: The famous Queen Crest logo seen on the back of the first album was designed by Freddie around this time, and became a familiar sight on most of the band's product. Revisited", "Son and Daughter" stayed off the setlists after Queen's hit singles began to dominate their live show. The agreement was mutually beneficial and Queen took full advantage of the state-of-the-art equipment to put five of their tracks to tape. For the Magic Tour , it was shortened to just the opening guitar section as a segue into " Tear It Up ". It was first recorded at De Lane Lea Studios in December , when the band were hired to test the studio's new equipment in exchange for being allowed to record proper demos for their attempt to find a record company. Until this time, and occasionally afterward, the guitar solo would take over the middle of "Son and Daughter" during concerts, allowing the rest of the band a bit of a rest and costume change. The song was played in the very first concert under the name of Queen in Because of the effects created by May's Red Special guitar, among other things, many early followers of Queen viewed the band as something of a psychedelic rock band. Unlike other songs from Queen's early period which crept back into circulation in the live set of their tours, such as "Liar", "Keep Yourself Alive", "Seven Seas of Rhye" and "In the Lap of the Gods The band were fed up with people mistaking their elaborate multi-tracking and innovative guitar effects for synthesizers, when in fact much of the sound was created by Brian on his guitar using the band's own equipment and pioneering recording techniques - including the John designed 'Deacy amp' which is still used to this day. Queen was released on July 13th in the UK and attained Gold sales status. With the release of the original De Lane Lea demos as bonus tracks in , the difference in the mixing of "The Night Comes Down" is quite noticeable when compared to the original LP and digital remasters. The track features a two-chord rhythm section during the verses with a long instrumental break toward the end of the song. As mentioned on the transcription on EMI Music Publishing's Off the Record sheet music, this is one of the band's few '70s tracks to feature a Hammond organ. The second re-recording dates from April and was first broadcast on Bob Harris 's show. It is one of the band's heavier songs.
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